Wednesday, August 31, 2022

'Dragon Ball Super: Super Hero' Movie Review

 




I missed out on seeing the first two "Dragon Ball Z" movies in theaters due to financial woes; still haven't seen them now that I mention it.  When "Broly" hit, things were better on the fiscal front, but the release was limited and wasn't showing at my local theater.  Thus, I had to wait for it to arrive on DVD to be able to watch it. Finally, comes "Super Hero" the latest entry in the "Dragon Ball Super" franchise.  With a stronger fiscal position, a wider release, and an appropriate work schedule, I resolved to see this one in theaters.

I'm glad I did, as I enjoyed the film a lot. It manages to bring a healthy dose of lighthearted humor, character growth, and big action to the table.  There are times where Dragon Ball has gone too far into "gag" humor territory and it ended up being detrimental, but the humor here is more character and dialogue driven.  It's more effective and allows the humor to exist without undercutting the imposing threat.

I know that one of the big concerns was the new animation style.  This one went almost fully CG and the initial response wasn't positive.  There are a few jarring bits here and there, but honestly, you don't even notice it after a while.  The opening credits sequence where we're following Magenta's car as he goes to approach Dr. Hedo, as well as the appearances of Goku and Vegeta, are really the only bits where the animation takes you out of the movie.

Speaking of Magenta and Dr. Hedo, they act as the antagonists of the film.  Magenta, being the son of an adversary that Goku faced in his youth, has rebuilt an empire in secret and is intent on enacting a plan to get revenge and take over the world.  As such, he recruits Dr. Hedo, who is also the descendant of a prior Goku enemy.  

The two actually form a unique dynamic.  Magenta carries himself like a crime boss and his negotiation with Hedo is an early highlight for the film.  Both parties plan on exploiting the other for their own purposes, both know that the other is trying to use them, and an alliance of sorts still manages to be formed anyway.

Of course, "villain" doesn't exactly apply to Dr. Hedo.  He's not good, but he does have a genuine love for superheroes and when Magenta tasks him with building super-bots capable of taking on our heroes, he naturally creates them with hero personas.  This may seem paradoxical, but Hedo (and thus, the androids, called "Gammas") are under the impression that Goku and the gang are enemies of Earth.

There was some amusing propaganda at play, and Magenta does use Goku's extra-terrestrial origins to his advantage.  It was a little surprising to see Hedo react with shock at the idea of aliens.  Wasn't Vegeta and Nappa's "invasion" public knowledge?  I guess he's just out of the loop.

In any event, the Gammas themselves are quite memorable.  I would have liked to see more of them in all honesty.  While they are the "enemy" for the first portion of the film, you can tell that they are heroes.  They're aghast at the idea of harming a child and don't hesitate to come to the Z-fighters' aid when the "final boss" of the film is released.  

This film really allowed the secondary characters to shine.  Not only does Piccolo take center stage (and do a great job of it) but characters who had been sidelined for years actually get to jump into the fray.  Even Krillin contributes in meaningful ways.  I'm a big fan of Goku and Vegeta but having them step into the background for a bit actually worked wonders.  

As is expected of "Dragon Ball" the final fight is something to behold.  In a lot of ways, I think it was better than the Broly fight.  Not in terms of animation, in that regard, Broly wins, but this upped the ante by having multiple fighters working in unison.  It also avoided the burnout that the Broly showdown caused by injecting bits of humor and character progression to keep things from getting one note. 

The film is chock full of call backs. They're a lot more subtle than some of the ones we saw in the main anime, which was welcome.  If you're a longtime fan, there are all kinds of nods and allusions to earlier material.  Oddly enough, no mention of Gohan's stint as the great Saiyaman.  You'd think that when Gamma 1 alluded to himself as a genuine superhero that Gohan would have at least invoked that as a way to clear things up.

Even so, both Gohan and Piccolo do a good job of attempting to diplomatically deal with the Gammas as the fight progresses.

The soundtrack is OK.  The main theme fits the "hero" thing, and it works in the scenes where it is used but compared to some of the tracks we heard in both "Broly" and the main anime, it can feel a little lackluster.  

The movie did leave me wanting more.  You could see that as a good or bad thing depending on how you look at it.  As I said, would have liked to see more of the Gammas, or more of the two antagonists scheming against each other.  Having Tien, Yamcha, and 17 also show up for the final fight would have been cool, but I guess that's more actors and more animation.  Bulma did say that she got everyone on Earth, does that mean that they're in space?  Is that the next movie?  I guess the implication is that she only had so much time or couldn't track down everybody, but I kind of like my idea better.

All in all, though, I really had a lot of fun with this.  I recommend it.  Oh, and stay through the credits, there is a stinger that is worth watching as well.








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Saturday, August 27, 2022

'Luke Cage' Season 2, Episode 13: 'They Reminisce Over You'

 



The season, and alas, the series comes to an end.  On the plus side, it ends on a high note, delivering an entertaining and compelling conclusion to the proceedings.

At first, I thought that the episode would focus on the trial of Mariah, but that was only the beginning.  She does get to deliver a good speech about the role that she plays in Harlem when trying to get the judge to reconsider bail at her arraignment.  It turns out that she was Harlem's "Guild of Calamitous Intent", bringing a sort of order to the city's crime element.  She even makes a subtle nod to "A Few Good Men" in the process. Sure enough, with her gone, things do start to get crazier and more violent, as various gangs try to swoop in on the now open turf.

Admittedly, this assertion is somewhat undercut by the fact that she herself was starting to break the "rules" of the "game", but it did make for some fascinating plot development.

While Mariah spends the rest of the episode in prison (awaiting her trial), she still plays a pretty significant role in the plot.  She not only mirrors Fisk in asserting her dominance in the prison, but also shows herself to be a power player by having her own people taken out, lest they follow in Shades' footsteps and turn snitch.  

A lot of the episode's highlights feature Mariah in some capacity.  She has some great scenes with Shades, Tilda, and even Luke.  

Luke's arc here is...weird.  They really want to sell the idea that Luke now has to become the thing he hates, but I don't really buy it.  Even with Mariah leaving him the club, everybody acts like he has to become a gangster. DW abandons him and tells him to take his superhero activity elsewhere. Mariah herself clearly states that her intent in doing this is to draw him to the dark side, as it were.  

The thing is, though, he could make it a legitimate business, and the fact that he removed the Biggie poster and replaced it with something else does show that he intends to change things.  

Yes, the episode also shows him meeting with a mafia don to "broker a deal", but even that "deal" was more of a "this territory is under my protection, stay the hell out" than it was anything crime related.  I mean, the Doctor tells enemy aliens that all the time.

Sure enough, when Misty confronts him, Luke does say that crime is on the decline and that he is in the process of steering things in the right direction.  He even tells Misty that he's counting on her to keep him honest in his goings on here.  That doesn't really sound like somebody who is turning heel.  Nevertheless, that "Godfather" nod was a nice touch.

Overall, this was a solid ending.  It managed to balance action, drama, character, and even threw in a few bits of humor in there for good measure.  That's what you like to see; not just from a finale, but from any episode in general.

It's kind of a shame that the show didn't get a third season as there were plenty of seeds planted for another arc.  Who knows, maybe Luke will make a return to the MCU.  It does seem like Disney is working to better integrate the earlier shows into the bigger picture, but we'll see how things play out.

For now, though, it's kind of good to check another show off the list.  Up next, the second season of everybody's favorite hero, Iron Fist.












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Tuesday, August 23, 2022

'Luke Cage' Season 2, Episode 12: 'Can't Front On Me'

 



We come to the series' penultimate episode.  You'd think that things would be ramping up, but the episode is surprisingly slow.  

Some of it is justified.  Luke, for example, is torn as he doesn't know which horse to back.  Both Bushmaster and Mariah present their own threats to Harlem.  He considers just sitting it out, but that doesn't end up being an option.  Even if Mariah didn't throw the big free concert to bring in potential collateral damage from her showdown with Bushmaster, I have a hard time buying that he'd just let him kill her.

Heck, Mariah herself directly says as much when the two have a brief palaver early in the episode.  It's one of the episode's stronger scenes.  There's mutual disdain, but Mariah also gets chances to taunt her adversary and even toss him a measure of respect, though he doesn't really care for it.

He does briefly team up with Bushmaster to take down one of Mariah's drug lairs.  The show had teased the idea of the two being "brethren" more than once, so this was a good way to pay that off.  It was a good action beat.  I actually thought it popped more than the Luke/Danny raid.  The choreography was more impressive, and Bushmaster was something of a wild card.  He hits Luke once (though it seems to be more of Bushmaster acting on impulse) and Luke has to stop more than once to keep Bushmaster from killing their opponents.  

A lot of the episode is devoted to Shades offering his confession to Misty.  It's mostly recalling events from the show.  You can see it as a nice refresher, or as padding.  Credit where it's due, though, Theo Rossi does a great job with it.  The big poop eating grin he has as he's talking about what he did at various points is pretty priceless.  We also see how much Mariah's actions affected him, as all that goes away when he talks about what happened at the restaurant.

Things do converge in the episode's final half, as everybody convenes at Harlem's Paradise, each with their own goals and objectives.  It was here where the episode picked up and really saved itself.  Misty brings Shades there so that he can acquire her gun to be used as evidence, Bushmaster goes to finally take out Mariah after being spurred by Tilda, and Luke goes to keep people from getting hurt.

With an amped up does of Nightshade, Bushmaster is able to regain some of his physical menace that he had before.  I thought that the show provided a good enough reason not to have Danny participate in any attack on the gangster, but seeing Bushmaster here, yeah, the Iron Fist would have come in handy.  Despite this, the final "Bushmaster vs. Everybody" brawl was a lot of fun.  It was exciting, tense, and memorable.  It really delivered as far as climaxes go.

The whole "will Luke kill Bushmaster" thing was a weak element, though.  Why didn't he just put the guy in a sleeper hold or knock him out?  Just letting him go was pretty dumb.  It does leave something for the final episode to address, but the point still stands.

The closing bit with Mariah getting arrested was pretty cathartic.  She's convinced that it won't stick, and Luke isn't sold either, but for now, it was satisfying to see.  I did also smirk a bit when she referred to herself as a "millionaire philanthropist".  It's pure coincidence in universe, but that is one of Tony Stark's more memorable lines, so I have to think that the writers did that on purpose.

Compared to prior episodes, this is a bit of a step down.  Once it kicked into gear, though, it managed to deliver some solid entertainment.  













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